Of the name Sartoris, Faulkner wrote: "For there is death in the sound of it, and a glamorous fatality, like silver pennons downrushing at sunset, or a dying fall of horns along the road to Roncevaux." Malcolm Cowley used one word to describe that sentence: "overwriting" Really? Overwriting? The poetry of it stunned me (and still does); … Continue reading The virtues of writing that’s boring
Author: Nick Owchar
On writing: The cautionary example of Alan Moore
When I think of George R.R. Martin, I can't help thinking of Alan Moore, too. Both have been wildly successful in popular genres (fantasy, graphic novels). Both are old guys. Both don't know how to trim their beards. They're opposite sides of the same coin. Martin writes novels accessible to wide audiences (they couldn't get … Continue reading On writing: The cautionary example of Alan Moore
Writing and the 6 a.m. brain
Every writer has a different time of day that works for creative writing. As I retool my novel and prepare to cast it back into the marketplace, I realize why working early in the morning has been the best choice for me. As the day progresses, bad things happen to my brain. My thoughts … Continue reading Writing and the 6 a.m. brain
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